Several people on my staff have asked me what I'll be doing for Valentine's Day. Well, it's a Tuesday, I answer, so I'll be in jiu jitsu most of the evening, then watch a movie at home. I think they immediately feel sorry for me, because I'm single and won't celebrate with wine and flowers. Well, I can pour wine any time I like (except at work - they frown on that), and I'm not a fan of cut flowers. They feel like a bouquet of impending death to me, and I'd rather my flowers be growing free outdoors. See, even when I was half of a couple, I never saw the magic in Valentine's Day, at least not for adults. It just feels like an excuse for Hallmark to sell more cards and a lot of men to buy candy and such in a state of bewilderment. If Valentine's Day is supposed to be about love and romance, what part of forced gift buying feels romantic?
See, and I started thinking about that, because I'm not sure I actually have a good idea of what is romantic. I've never been on the receiving end of some grand, dramatic gesture to express love. Nor have I made such a gesture. And I've lately started thinking that movies have kind of set us up for some very false expectations. Almost everything I know about the concept of romance has come from the cinema. From my early memories of Luke and Leia swinging across a missing bridge to the spaghetti slurping dogs from Lady and the Tramp, even Disney made its mark on what my friends and I thought of as romance. At that age, I didn't separate romance and love. Romantic gestures were how you demonstrated love. It wasn't until much later in life that I had the epiphany of how softly love could come along or how subtle romance might be in most lives.
My parents were not romantic people, so they were not inspiring it this category, and it was many years before I saw adults really interacting in a way that made their love for one another abundantly clear to anyone around them. Saw my aunt and uncle dance at a wedding, looking every one of their sixty plus years, but then seeing how my uncle still looked at his wife, as though she was still the eighteen year old girl he'd married. He led her around the small dance floor in the way that men rarely learn these days, but all the men of his generation seemed to know, almost by instinct. Or the boyfriend of a college friend who stayed home from a trip to take care of his very sick and very grumpy girlfriend. Or a couple who had been together long enough to have accumulated a life-time of inside jokes and poked fun at one another always, but whose words were at odds with the way they would almost absently touch one another as they moved through their days.
Looking for good suggestions for romantic movies, almost every source lists the same movies, over and over again: Titanic. The Notebook. Shakespeare in Love. The Graduate. Love Actually. Singing in the Rain. A Walk to Remember. Say Anything. Pretty Woman. Nothing wrong with any of those films. Quite a lot right about the majority of them, and a couple of my favorite movies are counted in that list. But, they wouldn't make my list of the most romantic movies out there, although Lloyd Dobbler holding up that ghetto blaster still makes my heart flutter just a little bit, and I doubt that I'm alone in that.
To me, some of the most romantic movies might be some of the most understated in terms of love. But love walks quietly and my idea of romance flounders a bit, having abandoned my image of it from childhood dogs and pasta. So, some possibilities of settling down with a good romance for me?
Remains of the day. Anthony Hopkins. Emma Thompson. Period piece set among the rising tides of war during the 1930's. Surely a romance between the very proper butler and the housekeeper could never truly come to fruition, but the tension between them, the verbal intercourse they share, the looks across a table...and then there is the scene with a book in Stevens' room. The steam practically rose from them, though they rarely touched and never were anything less than proper. Even in their later years, the excitement they each have in the prospect of seeing one another again is heartening and heartbreaking when it doesn't work out as you just darn well know that it should. If only life were fair, it would work out.
Sense and Sensibility. This is my favorite of the spree of early 1990's adaptations of Jane Austen's books. Emma Thompson, again. Alan Rickman (need we even go past him and his silky voice?). Kate Winslet. Hugh Grant. Hugh Laurie. Imelda Staunton. The cast itself was enough to sell me on the film before I saw it. But I was enchanted with parts of this particular adaptation . Jane Austen can get on my nerves at time, with her tongue-in-cheek satire aimed at her peers. She was very young when she wrote many of her novels, and the relationships between them often show that, being melodramatic and full of many tears and much handwringing. Many of her heroines are strong, modern women, who turn to complete fools in the face of love and marriage. Such would be the fate of the lovely Dashwood sisters. As much as Elinor is foolish for pining quietly and suffering silently with her love for Edward, so too is Mariane foolish in her reckless pursuit of the rakish Mr. Willoughby. For a time, I was convinced the greatest love story of this novel was between the sisters, and while that may well be a kernel of truth, so too does the book have its moments of devastating romance. When Elinor is, at last, relieved to find that her Edward has been true and has not married another young woman, the iciest, most practical woman in all of England very quietly and thoroughly goes to pieces. Her moment of sobbing and Edward's bewilderment are one of the most endearing moments with that character, for he is rather bland as milquetoast. But by far the most romantic moment in the film comes when Colonel Brandon follows Mariane out onto the moor, knowing her heart is breaking for Willoughby, knowing she does not see hearts and flowers when she looks at him, and he carries her back to the house in the pounding rain, wanting only for her to be well and happy. In the end, his quiet love wins and out, as Mariane grows up, and sees what a love that can last might really be about. It's a movie I could watch over and over.
So, I'm sitting here waffling between Before Sunset and Before Midnight. Linklater doesn't make it easy for me to choose, yet I feel like I should be narrowing this down to one or the other. Ethan Hawke and Julie Delpy just killed it in this whole trilogy, not losing any of their magic with time. In fact, I'd argue that the life experiences of the actors themselves helped shape the directions of their characters. And so, saying that, I'm going to put Before Midnight as my pick for one of my favorite romantic movies. Years and marriage and children have taken their toll, and the idyllic holiday in Greece seems almost too perfect at times, and yet the characters aren't perfect. Their romantic night away together turns into a full blown fight, one that teeters on the edge of ending their marriage. It could have ended their marriage. Maybe if it'd been me, it might have ended my marriage. But then, as Celine sits by the water, watching the faint lights of stars and moon reflecting below, and probably fantasizing about drowning Jesse in it, he returns to her, pretending to start over. Not their night. Their lives together. And she lets him sit down at her table. Not all forgotten, but likely to be forgiven. To me, the romance is in the endurance and in the choice to stay together. We're not all great at that.
The African Queen. Bogart and Hepburn. Pretty much wins, hands, down, just because it's Bogart and Hepburn. Sometimes being together is a choice. Sometimes, fate throws you together and gives you little choice, even if you start out hating one another. This movie has quite a few clichés, with Rose and Charlie as much of an odd couple as you could ever imagine. Cliches exist for a reason. Somewhere, sometime, they have worked well. This is an example of them working well. The look that Rose and Charlie exchange after she's pulled leeches off of him and they communicate all the feelings as he turns around and slips back into the - presumably - very leechy water. It's just as magical as the moment they go over the falls together. Their romance is in their crisis fueled bond - fast, and strong and making each of them a little better (and a little more interesting, for movie goers).
The Quiet Man. I can't have a list of romantic movies without mentioning this one. It has long been one of my favorite movies for a variety of reasons - the scenery. Maureen O'Hara. The quiet strength that was John Wayne. The drinking and the laughs and the moments of pure heat that run between the two of them all make it fabulous. And the fight scene is one of the best ever filmed - where else will you see a fabulous brawl take a break for a pint in the local pub? The scene at the castle in the rain is one of pure little girl fantasy romance. But to me it's watching the spirited independent woman, Mary Kate, soften for Sean Thornton's quiet resolution and give in to her own feelings. And that John Wayne would be welcome to break my bed any time.
Saved this own for last - Bull Durham with Kevin Costner, Tim Robbins and Susan Sarandon. So, maybe baseball doesn't have a lot to do with romance, but I'm pretty sure that Susan Sarandon does. I've never been a huge fan of Kevin Costner, but this movie works for him and Crash Davis and Annie in the bathtub and on the kitchen table...some of the sexiest moments ever in a film. It's the very adult honesty between the two of them - even when they're playing games, they know they're playing games - that makes it so incredibly right. When Crash comes back and tells Annie that he's looking to stay in one place and manage a minor league team, and she says she's willing to give up her baseball boys, well, maybe that's about as good as it gets in the real world. If only the real world made time for living room jitterbugging with Kevin Costner.
I don't know if any of those movies show much of real life, but at least they give us a glimpse of what romance might be about, whether it's in the quiet, still moments, or in the sweeping grand gestures.
So, I've got plenty of cinematic material from which to choose for a Tuesday night, if I don't just fall asleep straight away from my time on the mats. I will pour my own wine, and snuggle up with my cat. From the movie Before Sunset, because I couldn't let go of that one either, "When you're young you just believe there'll be many people with whom you'll connect. Later in life, you realize it only happens a few times." Fortunately, even if I never have the kind of romance that Leia and Han did (because when I say "I love you," my cat doesn't say "I know," or much of anything, really, beyond "feed me, you weirdo."), I know that I can always lose myself in a good movie, because we can't all have John Cusak blasting Peter Gabriel outside our windows, but it doesn't mean we don't know love along the way.